Fabulous Musical Autographs

This wonderful Liber Amicorum (or Friends Book) is essentially an autograph album, but as it belonged to one of the nineteenth centuries leading tenors, Pietro Neri-Baraldi, it is far more than that. It is a record of who’s who in his musical circle.

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Being a musician, naturally he chose a musical score as the basis for his album, and he then obtained snatches of music, annotations and signatures from many of the leading musicians of his day. The most famous today is Rossini, but the album also includes work by Bottesini, Coppola, Peri, Costa, Meyerbeer, Bolzoni, Gordigiani, Auteri Manzocchi, Mancinelli, Auber, Cossoul, Bazzini, Marchetti, Ponchielli, Gomes, Mazzucato, Faccio, Capulani, Gounod, Coronaro, Thomson, Valetta, Martucci, Catalani, Mascheroni, Heckmann, Clementi, Perosi, Richter, and Fischer.

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The album itself is a luxurious green morocco with gilt details. The opera singer was born in Minerbio near Bologna, after debuting at the Teatro Comunale of Bologna in 1850, began a bright career that led him to cover many tenor roles and was in contact with the greatest musicians at the time, such as Rossini, Meyerbeer, Gounod, Perosi, Gomes and many many more.

Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who wrote 39 operas as well as some sacred music, songs, chamber music, and piano pieces. His best-known operas was the comedy,  The Barber of Seville 
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During his career, which reached its peak with his appointment as first tenor at the Sao Carlos in Lisbon, directly nominated by the King Louis I of Portugal, he jealously kept this precious booklet and collected autographs of the musicians whose operas he sang. The result is this wonderful piece of musical history that includes, like a treasure box, little gems of memory of the greatest musicians of the second half of the 19th century.

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Not a gnome in sight with these gnomonical works

If someone offered you a rare collection of Gnomonical works by The Vicar of the Convent of Saint Francesco at Turin, you would be forgiven for thinking it may contain illustrations of small bearded creatures holding fishing rods.

But in fact gnomology is the study of sundials, and specifically the angle of the shadows cast by the vertical rod. (You see – you can learn something from this blog).

What is particularly lovely with these works, apart from their scarcity, are the cut-out diagrams laid onto the illustrations to demonstrate angles.

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As well as helping you to work out the angles of the sun (and so work out the time) one of the cut out additions helps you to look at the zodiac and work out the astronomical signs.

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Here are the details of the two works:

CANTONE, GIROLAMO. Nuovo, e facil modo di fare horologi solari, orizontali, e verticali a tutte l’eleuationi di polo. Turin: per l’herede del Colonna a spese di Gio. Battista Vernoni, 1688.
[BOUND WITH:]
CANTONE, GIROLAMO. Modo di fare horologi portatili a sole, luna, e stelle sopra colonelle, croci, medaglie, e scatolini. Turin: Giuseppe Vernoni, per gli heredi di Carlo Gianelli, 1682.

4to (282 x 231 mm), modern leather over wood boards, red morocco labels with titles at spine, pp. 32 for first volume, pp. 40 (lacking title page and dedication to reader, provided in facsimile), for second volume. Text in Italian.

FIRST WORK: WOODCUT DIAGRAMS, THE TWO DIAGRAMS ON A14R AND A15V EACH WITH AN APPLIED GEOMETRICAL SECTION IN A CONTEMPORARY HAND.

SECOND WORK: WOODCUT DIAGRAM, SEVERAL FULL-PAGE, ONE WITH THREE VOLVELLES, SOLAR TABLES.

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Rare manuals to study, design and realize sundials, and portable dials, to be used with sun, moon and stars.

These works were not only meant to be a theoretical treatise, but also act as practical manuals. In the introduction of the first work, Cantone lists all the tools needed to realise the objects he described in the manuals.

The first opera, the 1688 Nuovo e facil modo di far horologi solari, is a rare gnomonical work by the vicar of the convent of S. Francesco at Turin CANTONE. The title page states that it is the ‘seconda impresione’, second edition, the first being the Nuouo, e facil modo di fare col quadrante geometrico horologi solari, orizontali, e verticali a tutte l’elevationi di polo printed in 1670 which, though titled slightly differently, contains exactly the same number of pages.

Twelve years after the first edition, in the 1682 Cantone published the prosecution of the Horologi, solari, the Modo di fare horologi portatili, an earlier summation of the author’s knowledge on the specific subject of portable dials.
When he published the second edition of Horologi in 1688 the idea was to add to the opera the second edition of Modo di fare horologi portatili, but this second edition, for unknown reason, was never printed.

To have a complete set of Cantone’s works, an unknown owner decided to bound together in the present copy the second edition (1688) of Nuovo, e facil modo di fare horologi with the first edition (1682, the second never been printed) of Modo di fare horologi portatili
Both works are very scarce. Worldcat records only 6 copies of the first work and 9 copies of the second.
SBN/It records two variant collations of the 1682 publication, A and B. The present copy corresponds with A. No auction sale of either work is recorded in RBH or ABPC.

CONDITION: Title to first work lightly soiled and repaired at margins, both works repaired at lower corners, second work lacks p1 and A1 title provided in facsimile, several leaves with repaired holes.

PROVENANCE: applied geometrical section in a contemporary hand to two diagrams.

BIBLIOGRAPHY: Vol 1: Houzeau and Lancaster 11519 and 11533; Riccardi I, 228,1 not in BL. Vol II: Houzeau & Lancaster 11333 and 11542; Riccardi I, 228,2; Turner (ed.) Ritmi del cielo e misura del tiempo 93. KVK: no copy in Germany or Switzerland; COPAC: NL Scotland (1670 & 1688 ed.); Oxford (1670; 1682 ed.).

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A Beautiful description of America

This week we’re proud to present the first italian edition of Il Gazzettiere americano, printed in Livorno by Marco Coltellini in 1763.

It is the first edition translated from the original The American Gazetteer, printed in London the year before, in 1762 by Millar & Tonson.
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The Italian edition is bound in three folio volumes, profusely adorned by a large number of full-page copper plates.

It’s a sort of Americana encyclopedia that covers every aspect of the American continent: climate, trade, products, forms of government, city, geography, people and customs. The parts dedicated to fauna and flora are also excellent and accurate.

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We have 78 plates, engraved by Violante Vanni and Giuseppe Pazzi (from drawings by Ferdinando Gregori and Veremondo Rossi). These engravings provide a complex and all-embracing description of the “new world”. The subjects are natural history, geography, animals, architecture and costumes.

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The added value of this Italian edition is in the plates. The original edition, beyond its minor format, had only eight engravings in the text.

Coltellini wanted to enlarge his edition to make it a valuable and sumptuous printing work.

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Marco Coltellini was, in fact, a really good publisher. He started this job when he left his ecclesiastical studies. In 1762 he bought the most important typography / bookstore in Livorno, All’ “Insegna della verità”, which became soon one of the most important productive activity of the city.

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The Gazzettiere was one of his first efforts and we can well see how his technique was refined since he started printing books.

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Coltellini is also famous for having printed the first clandestine edition of Beccaria’s Dei delitti e delle pene and the third edition of the Encyclopédie.

At the same time he was also a renowned poet.

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This specific copy is in really fine condition, bound in full vellum with gold titles at the spines, heavy paper at large edges.

Obviously complete with all 78 plates and pp. XXXIII, [1], 216, [2] – 256, [2] – pp. 253, [3].

It finally has a good provenance, coming from one of the most ancient bookstores in Italy.

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The First Appearance of the Island Atlas

This beautiful book, written by Tommaso Porcacchi, and engraved by GIROLAMO

PORRO is one of the most important geographical books of the Sixteenth Century.

This was the “Golden Age” of exploration and map making, and we are pleased to

offer this fabulous example of the first edition.

First edition of the renowned L’isole – or Island Atlas. In fact, it is far more than this,

with 30 engraved half-page maps and plans representing the most important isles of

the word, including the first continental map of America. The engravings are by the

renowned wood engraver Girolamo Porro. Each map presented in the volume is

followed by a description of the geography, history, economy and interesting facts of

the region, including principal places, physical features, climate, customs and

produce. One of the most important entries is the lengthy account of the arrival of

Christopher Columbus to the Caribbean.

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The map of North America is particularly important. It is a smaller version of Forlani’s

map – and the first depicting the landmass as a single continental entity. It is the first

printing of the first Atlas map of North America.

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The first 15 illustrations begin with Venice and her surrounds, then pass from east to

west through the Mediterranean, from Corfu, Crete and Cyprus via Rhodes, Sicily and

Malta, to Corsica, Elba and the Balearics. The next six are from Northern Europe, the

British Isles, Scotland, Ireland, the Frisian islands, Iceland and Gotland. Across the

Atlantic are Hispanola, Cuba and St Lawrence, the islands ending with Ceylon and the

Moluccas. The last four illustrations comprise a map of North America, followed by a

detailed plan of Mexico city at the time of the Spanish conquest. The last two are very

attractive and complete world maps, the second specifically designed for the use of

navigators. Each of the illustrations is accompanied by a few pages of topographical

and geographical description of the subject matter, including principal places,

physical features, climate, customs and produce.

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The work was very popular and went through seven editions, the last was published

in 1686 and together with the Isolario of Bordone, the Isole Famose of Giovanni

Francesco Camocio and the Geographia by Livio Sanuto represents the greatest and

fundamental contribution of Italy to map-making, both from a theoretical and a

practical side.

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The atlas is beautifully bound in a crushed morocco binding by J. Haines with his gilt

stamp blind-tooled at the lower margin of front inside board, 5 raised bands to the

spine with gilt titles and floral decoration at compartments, boards enriched by seven

gilt border rules with floral and geometrical decoration at the corners.

Naturally, given that this was an island atlas, it was printed in Venice, and this is the

first map shown. Venice had been

 

At the heart of European printing since the 15th Century. The Serenissima was open

to the ideas of the early Humanists, and in contrast with the Papal States and much of

the rest of Europe, allowed freedom of expression. Despite later condemning Luther,

it remained at the centre of European quality printing.

 

The Technical bit:

2° (304 x 209mm),, pp. [24], 117, [3] , Copper title with engraved architectural border.

with figures, putti, armillary sphere and globes; printer’s device at verso of last leaf.

Blank leaf b6, often missing, is present in this copy.

 

COMPLETE

 

BIBLIOGRAPHY: Adams P-1904; Shirley p.817; Sabin 64148

The full listing of maps:

The first fifteen maps describe the most important isles of the Mediterranean Sea:

1) Venice

2) Corfù

3) Morea (the current southern Greek peninsula)

4) Candia (Crete)

5) Cyprus

6) Rhodes

7) Full Greek Peninsula

8) Negroponte (The current island of Euboea)

9) Sicily

10) Malta

11) Corsica

12) Sardinia

13) Elba

14) Majorca

15) Minorca

The next six islands are from Northern Europe:

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16) England

17) Scotland

18) Ireland

19) Holland

20) Iceland

21) Gotland, in Sweden

Porcacchi then crosses the Ocean and describes:

22) Hispaniola,

23) Cuba

24) St. Lawrence (Alaska)

25) Taprobana (Current Sri Lanka)

26) Moluccas

The next two maps include:

27) New World, a detailed map of North America, a smaller version of the

renowned Forlani and Zampieri’s map, the first printed map showing the continent of

North America and the first map to show the Strait of Anina, that separates America

from Asia

28) Temistitan, (current Mexico City). The map shows Tenochtitlan, the capital of

the Aztec Empire, as it appeared to the conquistador Hernan Cortes, when he gained

control of the city in 1521

while the last two are global word maps

30) Global World Map followed by a detailed description of the four elements,

forming the word, water, earth, air and fire, of all the lands and a description on the

measurement system of the world.

31) Navigation map of the world, with the major naval courses of the time, the

major winds and practical instruction on navigation.

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Once attributed to Titian, these beautiful engravings are amongst the earliest anatomical drawings

This beautiful set of engravings was once attributed to the artist Titian. It is a complete set of 18 plates from the 1680 first edition. It includes the Frontis portrait of Titian, 3 engravings of the skeleton, and 14 engravings of muscles.

The engravings were an interpretation of the text of Vesalius – De humani corporis Fabrica, which was published in 1543.

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Observing medicine in a new and exciting way –

 

Obviously, everyone knows that the microscope was invented in the Netherlands in 1590 by Zacharias Janssen (Alright – i confess I didn’t until writing this blog entry). The invention developed out of the use of shaped glass for making spectacles. It was later developed by Galileo.

A little later, scientists turned to looking at biology, and Robert Hooker’s Micrographiai published in 1665 is a beautiful and famous work.

a hundred years after this, in 1776, advances were still being made, and Giovanni Maria Della Torre produced this lovely work, with 14 engravings of microscopes and specimens.

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Incunables at auction

Everyone loves an Incunable. These are the earliest, and rarest items in the book world. Incunables are those books, pamphlets or papers printed (not written) before the year 1501.

There are two types of incunable. The first are those which are printed from a single piece of wood or metal (like a large woodcut). The second are those which are printed from small pieces of type (such as metal type) which placed together print a page – and are then re-used elsewhere. These are often called Typographic Incunables.

To to purists amongst us, only Typographic Incunables really count, as moveable type is an important element of modern printing.

And in this weeks auction is just such an example. With 84 pages, including a restored title, (and a lovely leather cover), this is a substantial work. The book is comprised of a collection of letters compiled by the famous Florentine humanist Angelo Poliziano, which contains the correspondence of the greatest Italian humanists of this era, like Pico della Mirandola, Aldo Manuzio, Lorenzo Medici, Filippo Beroaldo, etc., with the answers of Poliziano

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Inside the mind of a Dictator

Have you ever wondered what is going on inside the mind of a dictator (perhaps you know but haven’t achieved absolute power just yet)! Well this week, you can take a peek into the mind of Benito Mussolini.

This collection, in the original Italian and in a massive 35 (yes 35) volumes is entitled “Opera Omnia di Benito Mussolini” and was edited by Edoardo e Duilio Susmel. Published between 1952 and 1962.  It follows Mussolini from his earliest, Socialist works – through to his famous Fascist speeches. Through his thought, it helps to chart the rise and fall of one of the darkest periods in Italian history.

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Tracing your Family History before Ancestry

With modern websites and methods, we have traced my family way back, but this beautiful manuscript shows how it used to be done! Written in Latin in 1700, it follows the family Petra (or Pietra) from 1289 to 1700. Their family included Cardinals and Courtiers – making it a beautiful and fascinating piece of history.

https://auction.catawiki.com/kavels/14020365-manuscript-precious-family-tree-1700

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